Cooke Optics Anamorphic/i Special Flair Lenses Bring Big Screen Epic Saga Feel to Star Trek: Picard

DP Philip Lanyon goes for a different look for follow-up series to Star Trek: The Next Generation while remaining true to the TV and film franchise

Star Trek: Picard, the highly anticipated streaming series from CBS All Access, relied on two complete sets of Cooke Optics Anamorphic/i SF (“Special Flair”) lenses to tell the story for the follow-up series to Star Trek: The Next Generation, and centres on Captain Jean-Luc Picard (Sir Patrick Stewart) in the next chapter of his life. Director of Photography Philip Lanyon’s goal was to give this new series a big movie adventure epic saga feel — while keeping fans in a familiar visual world.

“Almost all of the Star Trek movies have been shot using anamorphic lenses and so is the [CBS All Access] Star Trek: Discovery series, which switched to Cooke Anamorphic/i lenses in its second season,” explained Lanyon. “I was given the opportunity to shoot the second season’s sixth episode and I just fell in love with the Cooke lenses. I tested a lot of lenses for Picard and a lot of different looks. But in the end, the Cooke Anamorphic/i SF lenses gave me the exact look and control I wanted.”

Lanyon shot six episodes of Star Trek: Picard, alternating with DP Darran Tiernan. Having two DPs is standard practice on a series of this scope — while one DP is shooting, the other has two to three weeks of prep for the next episode, which begins production as soon as the current episode wraps. This gives each DP time to get up to speed on each episode they are responsible for shooting.

“We would visit each other while we were shooting and discuss looks and new sets,” said Lanyon. “This was great as the production team carried over through each episode. We had LUTs, so we all knew the looks for every set, as well as camera movements and the mood we were going for.”

Shooting with three ARRI Alexa MINI cameras — for double and often triple coverage — Star Trek: Picard had two complete sets of Cooke Anamorphic/i SF lenses consisting of 25mm, 32mm, 40mm, 50mm, 65 MACRO, 75mm, 100mm, 135mm, 180mm and 300mm focal lengths. Anamorphic/i SF lenses are specially manufactured with a coating that allows for even more creative options. They are called “Special Flair” because they allow DPs to kick the flares, bokeh and other aberrations into new visual territory. All cameras and lenses were supplied by Keslow Camera in Culver City, CA.

“The Cooke Anamorphic/i’s gave me a large virtual image on the sensor, very much equal to large format on a spherical lens,” explained Lanyon. “The Star Trek language sits well with anamorphic for Picard, giving it that big-screen look and feel.”

With its warmer, gentler look — what is commonly referred to as part of “The Cooke Look®” — Lanyon could get the exact looks he wanted. “With Picard and other characters coming out of retirement, it just felt like the right fit. There’s a beautiful warmth to both Patrick Stewart and the Cooke lenses that matched up perfectly,” he said.

The series starts off in a natural Earth landscape at the Picard vineyard and winery, and transitions to a more technology-lit environment with LEDs and harder light sources with more flare.

“Even with the Special Flair lenses, I had great control over flare — whether adding more or taking it away,” said Lanyon. “I could just as easily do both. If I wanted more flare, I would just put up a harder light – if less, just knock the light down.”

The sets for Star Trek: Picard were specifically designed for 2.39:1 anamorphic, with the Cooke Anamorphic/i SF 25mm used for almost every scene to show the expanse of the huge sets being used. “The 25mm is the equivalent of a 12mm or 14mm spherical giving us the freedom to use the space and in showing the hidden corners that the audience wouldn’t normally see,” said Lanyon. “Add to that the practical lighting with no sense of scenes being lit off-screen and you get a very nice environment for the audience.”

Two other focal lengths stood out for Lanyon. “The 65mm MACRO is a great lens, especially for getting the details of what people are touching and interfacing with. Then there’s the 100mm. It’s just beautiful on faces. You get a nice portrait with a 50mm spherical equivalent width, showing off the backgrounds out of focus. It’s just beautiful.”

Star Trek: Picard is available on the CBS All Access streaming (OTT) service in the U.S. – episode one premiered on 23 January 2020. Bell Media has distribution rights for Canada, while Amazon Prime Video has distribution rights for the rest of the world.

SCROLL POSTS

A Few Kind Words...

The Bubble team have been fantastic and the quality of the work is always exceptional – even at short notice. Our work with Bubble has produced some of the best coverage we have ever had!

Catherine Watling

Visual Data

Working with Bubble has been integral to a rapid improvement in the delivery of our PR and communication strategy. The entire Bubble team are always friendly and professional as well as knowledgeable and well-connected. A real joy to work with!

Mark Forth

CVP

Bubble are a great bunch to have on your team. The whole staff combine high degrees of professionalism and diligence with an impressive depth of industry knowledge and reach, all delivered with huge fun and energy.

Nik Forman

Masstech

Since working with Bubble, we have been able to target key industries and sectors in a much more strategic way, which has been instrumental the growth of our business. Bubble is an invaluable part of our team and is really helping us to drive our business presence forward both through PR and at trade shows.

Tom Rockhill

disguise

Bubble Agency has worked with The Media Production Show for the last few years to provide exhibitor PR to clients and show PR to the wider industry press. We have always been impressed with their professionalism, the ability to tun around requests quickly and run our PR Lounge to a high standard during the show.

Charlotte Wheeler

The Media Production and Technology Show

Bubble Agency is made up of hardworking, passionate and caring professionals. They have great knowledge of the PR world, true specialists in the broadcast and video industry and they always have great ideas to increase our exposure.

Robert Lisman

Primestream

One thing that really sets them apart is the depth of their relationships with the editors and the community that serves our space.

Bob Boster

Clear-Com

They're a nice, easy, straightforward, honest company to deal with.

Brian Clark

NEP UK

As Signiant’s core market is M&E, Bubble has proven to be the perfect agency for us. They understand our market and are well-connected with the key influencers, publications and events in the industry. Day-to-day they are always on top of every detail and are a joy to work with. They are, after all, Bubbles.

Jon Finegold

Signiant

The Bubbles are highly knowledgeable, reliable and have become an integral part of our team. Their winning combination of industry passion and communications expertise has generated a significant increase in our media presence, both in print and online.

Kimberley Zajicek

PHABRIX